Skip Navigation



Cerebral Cortex Advance Access published online on August 23, 2007

Cerebral Cortex, doi:10.1093/cercor/bhm149
This Article
Right arrow Full Text Freely available
Right arrow FREE Full Text (PDF) Freely available
Right arrow All Versions of this Article:
18/5/1169    most recent
bhm149v2
bhm149v1
Right arrow Alert me when this article is cited
Right arrow Alert me if a correction is posted
Services
Right arrow Email this article to a friend
Right arrow Similar articles in this journal
Right arrow Similar articles in PubMed
Right arrow Alert me to new issues of the journal
Right arrow Add to My Personal Archive
Right arrow Download to citation manager
Right arrowRequest Permissions
Google Scholar
Right arrow Articles by Steinbeis, N.
Right arrow Articles by Koelsch, S.
Right arrow Search for Related Content
PubMed
Right arrow PubMed Citation
Right arrow Articles by Steinbeis, N.
Right arrow Articles by Koelsch, S.
Social Bookmarking
 Add to CiteULike   Add to Connotea   Add to Del.icio.us  
What's this?

© The Author 2007. Published by Oxford University Press. All rights reserved. For permissions, please e-mail: journals.permissions@oxfordjournals.org

Shared Neural Resources between Music and Language Indicate Semantic Processing of Musical Tension-Resolution Patterns

Nikolaus Steinbeis and Stefan Koelsch

Junior Research Group "Neurocognition of Music" Max Planck Institute for Human Cognitive and Brain Sciences, 04103, Leipzig, Germany

Address correspondence to email: steinb{at}cbs.mpg.de.

Harmonic tension-resolution patterns have long been hypothesized to be meaningful to listeners familiar with Western music. Even though it has been shown that specifically chosen musical pieces can prime meaningful concepts, the empirical evidence in favor of such a highly specific semantic pathway has been lacking. Here we show that 2 event-related potentials in response to harmonic expectancy violations, the early right anterior negativity (ERAN) and the N500, could be systematically modulated by simultaneously presented language material containing either a syntactic or a semantic violation. Whereas the ERAN was reduced only when presented concurrently with a syntactic language violation and not with a semantic language violation, this pattern was reversed for the N500. This is the first piece of evidence showing that tension- resolution patterns represent a route to meaning in music.

Key Words: ERP • language • music • semantics


Add to CiteULike CiteULike   Add to Connotea Connotea   Add to Del.icio.us Del.icio.us    What's this?


This article has been cited by other articles:


Home page
Psychon Bull RevHome page
L. R. Slevc, J. C. Rosenberg, and A. D. Patel
Making psycholinguistics musical: Self-paced reading time evidence for shared processing of linguistic and musical syntax
Psychon Bull Rev, April 1, 2009; 16(2): 374 - 381.
[Abstract] [PDF]


Home page
Mem CognitHome page
E. Fedorenko, A. Patel, D. Casasanto, J. Winawer, and E. Gibson
Structural integration in language and music: Evidence for a shared system
Mem Cognit, January 1, 2009; 37(1): 1 - 9.
[Abstract] [PDF]



Disclaimer: Please note that abstracts for content published before 1996 were created through digital scanning and may therefore not exactly replicate the text of the original print issues. All efforts have been made to ensure accuracy, but the Publisher will not be held responsible for any remaining inaccuracies. If you require any further clarification, please contact our Customer Services Department.